Friday, 17 November 2017

Hallowtide 2017


October has come and gone, as has Bonfire Night, Michaelmas, Armistice Day and Remembrance Sunday. We are now well and truly at that cusp of autumn and winter. The clocks have changed, it is getting dark earlier now and it is getting colder. There is much that happens at this time of year here in England, each of the dates above are marked in some manner, some only in a small way and others with national observances.

As expected with the majority of groups of a Pagan, Craft or Occult persuasion, we of the Hearth of the Turning Wheel have experienced a busy and often demanding Hallowtide. Our semi-private moot for members and supporters of the HTW, took place on Tuesday the 24th of October, a full week before All Hallows Eve.

Here in the warm, convivial setting of the Exeter Arms, a small group of us met for an evening meal, a drink and as ever, stimulating conversation. Because of the time of year our conversation naturally covered the festivals of the season, ancestors and heritage. What is the meaning outside of politics of blood and soil or perhaps more appropriately, blood and bone? That is perhaps something for us all to ponder, to turn our minds at this time of year to our own self-identity and ask where we stand within our greater society. These are not questions I can answer for anyone other than myself, we each have our own answer and we each have our own place.


On the 31st of October I set up my home to welcome my guests, those who would be attending our ritual observance that evening. First however, there was the setting up of my hallway, this in preparation of the local ‘Trick or Treat’ families. Here upon a stang topped with a horseshoe and lit candle, I hung a ram skull. At the base I placed an iron cauldron literally overflowing with goodies and a hunting horn. A sword and shield were positioned nearby, representing my own interpretation of an ancestor shrine. A resin skull and a genuine roebuck skull, together with a few velvet drapes, added to the decoration. By five p.m. I was ready to welcome the local children.

The groups began slowly as one would expect but soon the numbers had picked up, people even being told to call at my home by those who already had. Such is the attraction of my decoration, my eye for detail and I suspect, the large number of edible treats. I can say honestly that I had not skimped and not long after six, I was running short of sweets.

Many visitors wanted a closer look at the sword or the horn, I was happy to oblige. Positive comments on my display were plentiful, one woman in fancy dress like her children making the comment; “Look at this, this one does it properly.” I wonder if she knew. I do have an advantage, the real deal perhaps?

Not everything ran smoothly however, the loud noise of my hunting horn frightened one young girl and one small boy, probably on his first time out with his parents and elder brother, was rather overwhelmed by the number of people milling about in fancy dress. It is a fun and enjoyable evening, pleasurable to see so many children with their parents in tow, dressed in a variety of costume choice. Not for the first time, I stood impressed by the quality of the dressing up and I was equally pleased by how polite the children were.

Apparently the children know me as ‘that cool Halloween Guy.’ Well I do this every year and I have been doing so for some twenty years now. I even have second generation ‘Trick or Treat’ parties, some of those children who called years ago, now bring their own children. Dear Gods, am I really that old?


On the 99th anniversary of Armistice Day I met up with eight other friends at the Original Re-enactors Market held on a show ground near Leamington Spa. I am a regular attendee at these events if I can beg a lift and I thoroughly enjoy my trips there. Here one can purchase replicas often of museum quality, ranging from leather goods, knives, and swords, jewellery, cooking pots, glassware and pottery. Many of the stalls sell basic craft working items, fur, yarn and fabric. Wares so specialist in nature, it is near impossible to source them elsewhere. Why waste your money on a plastic handled athame from a MBS fair, when here you can buy a 14th century dagger?


It is worth noting that such living history fairs will often feature a large number of military items. These will range from Iron Age to the 20th century. Many an attendee and stall holder are in uniform, a fact not without meaning or significance during this time of remembrance. To see a Roman Legionary and a British ‘Tommy’ stand together and observe the two minute silence on Armistice Day has a certain poignancy.


I use my trips as an excuse to stock up on mead, at this last event there were five different suppliers, including German and Italian meads. I also use my trips in the autumn to do a little shopping in preparation for the Yuletide. So while at this time we remember the past, we are also looking forward to a time of celebration with our families and our friends.

The nights are dark and the days are getting shorter, yet time will turn full circle. The children that at this time call upon us in fancy dress, will one day remember us as their ‘ancestors’ and come Yule light will return.

By flesh, blood and bone, the Chattering Magpie.


THE HEARTH OF THE TURNING WHEEL HALLOWTIDE RITUAL 2011 - 2016

The Fifth of November (English Folk Verse c.1870)

The Weeping Window

Thursday, 16 November 2017

Poem by Sir William Collingbourne


The Catte,


The Ratte,


And Lovell our dogge;


Rulyth all Englande under a hogge.


Poem by Sir William Collingbourne
Executed for his support of the Tudor House



Sunday, 12 November 2017

The Weeping Window


During the summer of 2017 a rather unusual and striking artistic feature came to Derby. A large, multi-pieced imaginative work depicting one assumes, the tragic loss of war. The Weeping Window was a touring exhibit created by the artist Paul Cummins and the designer Tom Piper, other locations besides Derby were Cardiff, Belfast and Hull. Their other creation the Poppy Wave, visited Southend on Sea and Plymouth.


The display consisted of several thousand ceramic poppies, all were formally part of the exhibit at the Tower of London. There streaming from an upper floor window, millions of poppies flooded the now dry moat, each poppy representing one single British life that was lost in the 1914 to 1918 conflict. The exhibit was installed at the Derby Industrial Museum in the Old Silk Mill, itself an historic factory site and place of the very first industrial strike in history. Today the factory green is overlooked by a modern statue of the Bonnie Prince, Charles Edward Stewart.


Now in November 2017 we look back on the horror of this Great War, with confused and often contrary emotions. We look forward to the centenary of that conflict and find ourselves asking many deep, searching and disquieting questions. Why did it happen? How did a continent and then the world, slip into such turmoil? Was it necessary and could it have ended sooner? These questions have been asked by historians, amateur and professional for decades. These questions have been the source and subject, of much scholarly conflict, less bloody but still often vitriolic.


Millions of people, mainly young men went to war. From the Atlantic coast of Ireland to the Pacific Coast of Australia and almost everywhere in between. Millions sacrificed their lives in a European war, that became a global conflict; wastefully, needlessly and often horribly. I offer no opinion on who was in the right and who was in the wrong, during that shameful and costly conflict, because there was no right or wrong. All the major powers of the time have blame, all the major powers of the time share responsibility.


All those who fought in battle or toiled on the home front, all those that died, did so for their country. Whether they fought and died for their king, their emperor or their president is unimportant now. They all fought because they thought it was the right thing to do and they all thought that they were in the right. Discussions of who was and was not in the right are now, as futile as the war itself. It is better to remember that people died.


We find ourselves facing the equally vexing question of how to mark the events of that war as each centenary passes. Do we celebrate, commemorate or mourn each battle, each skirmish and each death? How can we mark such events without glorifying the conflict and the tangled causes of the war?


Debates on the colour of the right poppy to be worn continue and they are often as aggressive, as the scholarly debates pertaining to the war itself. Does a red poppy glorify conflict? Is a white poppy disrespectful? To ask these questions is to perhaps misunderstand the reasons for wearing either. A red poppy should be worn with pride. A red poppy should be worn to show respect for those who die in conflict, to mourn them and to honour their memory. A white poppy should be worn not to insult the dead but to show how shamed we are, that such conflicts happen.


Harry Patch who was briefly the oldest man in Europe and the last surviving combat soldier of that first global conflict from any country; famously left us with a haunting quote. “War is organised murder and nothing else.” At the end of conflict in 1918, many a general and many a politician, should have faced the hangman but they did not. It was they who got away with murder.


Wear whatever colour poppy you want, wear them both together if you have to but remember. Remember the dead, remember the cost of war. Light a candle, say a prayer, set aside a moment of silence but most of all, remember.


Harry Patch biography:



Wednesday, 1 November 2017

The Fifth of November (English Folk Verse c.1870)

      

Remember, remember!
    The fifth of November,
    The Gunpowder treason and plot;
    I know of no reason
    Why the Gunpowder treason
    Should ever be forgot!


    Guy Fawkes and his companions
    Did the scheme contrive,
    To blow the King and Parliament
    All up alive.
    Threescore barrels, laid below,
    To prove old England's overthrow.
    But, by God's providence, him they catch,
    With a dark lantern, lighting a match!


    A stick and a stake
    For King James's sake!
    If you won't give me one,
    I'll take two,
    The better for me,
    And the worse for you.


     A rope, a rope, to hang the Pope,
    A penn'orth of cheese to choke him,
    A pint of beer to wash it down,
    And a jolly good fire to burn him.


     Holloa, boys! holloa, boys! Make the bells ring!
    Holloa, boys! holloa boys! God save the King!
    Hip, hip, hooor-r-r-ray!


Saturday, 21 October 2017

PROPHESY?



In years hence as yet uncounted,
The Buddhist Pope as elected pontiff,
Shall reign supreme in China.


The people of Ulster shall rise again,
Returning to their homeland.
The baying hound shall lead them.
The rivers of the province,
Shall run with Orange blood.


The sacred bird shall desert the tower,
A Prince of the clans,
Shall claim the empty throne.


The Bishop of Rome, blinkered,
Shall sit amongst the ruin.



© The Chattering Magpie (1998)

THE SONG OF CERNUNNOS


The Gods do not die nor fade,
For we are immortal.
We sleep dormant,
Awaiting the call of a disciple.


O’ man and woman, hear my call to thee,
For I am older than time itself.
My sad neglect is mankind’s loss,
For I am a God of hidden wealth.


I am maligned by those that are ignorant,
For I am a God of many names.
I am worshipped by those that are wise,
Together with my Queen of unending reign.


Call out my name and I shall hear thee,
I am the father, the son and the lover.
Call out my name and I shall bellow,
I am the Horned God, king and brother.


I awake with the power of the dawn,
I lie hidden in the nut of the hazel.
I am the willing sacrifice,
And I am with thee from the cradle.


Just because thou cannot see me,
Does not mean I am not near.
O’ my children, hear my call,
Feel my presence but do not fear.


I am in the lightning and in the oak,
I am in this sacred song.
I am Cernunnos, Lord of the Hunt.
I am the Horned God and forever strong.


“Cernunnos I call thee my God” first published in Purdy T. (Ed.) (1994) Poems of the Midlands. Anchor Books of Peterborough under the name Daniel Bran Griffith.


THE SONG OF CARIDWEN



I am the seed that you sow.
I am a bird on the wing.
I am the hen in the meadow.
I am the Divine song that you sing.


I am the Goddess of light and of dark.
I am the Goddess whose bird is the black crow.
It was I who put the song in Taliesin’s heart.
I am the Goddess of the white sow.


I am the guardian of the cauldron.
I am the crone and I am the mother.
I am the guardian of great wisdom.
I am the earth and I am the ruler.
I am the Goddess, I am Caridwen.



© The Chattering Magpie

THE FUTURE IS MY MEMORY


Measure not my age in years,
But in the lives that I have lived before.
Measure not my love in tears,
For the future is my epitaph.


Why do people search for miracles,
When life itself is a great wonder?
Look to the stars and to the ocean,
Behold the elements of earthly humour.


I was once an unbeliever, but I am no longer.
I have seen the error of my ways.
The Old Gods have sated my spiritual hunger.


A field of wheat is resurrection,
Rebirth from brown to green, then gold.
The life of all is its reflection,
From birth to youth, to growing old.


Measure not my age in years,
But in the lives that I have seen before.
Measure not my love in tears,
The future is my memory.


© The Chattering Magpie