Tuesday, 6 June 2017

MAYTIDE & CASTLETON REVISITED 2017


The Maytide has been for the Hearth of the Turning Wheel, our Inner Court, Outer and the Friends group, a rather mixed time. Our month started quietly with little to report and our moot on Thursday 11th of May was a small, rather intimate affair.

The moot did provide me with the opportunity of a full dress rehearsal of my upcoming presentation ‘Wheels within Wheels,’ affectionately known as ‘that Tarot wheelie thing.’ My actual presentation is planned for Thursday the 8th of June (2017) in the Upstairs Meeting Room of the West Riding (Pub), 38 Wellington Street, Leeds, LS1 2DE. I am the guest of the Ravens Rest Moot of Leeds and a link to their Facebook group is below.

The Ravens Rest Moot:


So on the 11th of May after enjoying a very pleasant evening meal with friends, I stood in the ‘Cottage’ of the Exeter Arms, which is the back room of this rather charming pub and gave an informal run through of the talk to my long suffering companions. It is rare that I get an invitation to speak publicly, although I am no stranger to it and an opportunity to rehearse was too good to miss. I consider it a matter of professional pride to prepare in advance of any such public appearance.

The ‘Wheels in Wheels’ presentation began its existence, as an informal exposition of interconnected calendar and seasonal symbolism. Written and presented to clarify and explore the subject within the context of the Hearth of the Turning Wheel, its creation was originally meant for the Hearth alone.


Since becoming public it has become my most popular presentation and the Ravens Rest Moot have specifically requested it. ‘Wheels within Wheels’ has been previously presented at the Empyrean Pagan Interest Group in Nottingham, video clips are available on You Tube (links below).

Wheels within Wheels on You Tube:


The essential element of the presentation is the creation of what is best described as a ‘mandala’ and this is done using tarot cards, rune cards and ogham cards. Laid in concentric and overlapping circles, the rings formed aim to depict time not as a ‘linearial’ concept but as a cyclic one. The visual display of solar, lunar and seasonal rings illustrates the interconnectedness of the Great Wheel.

My standing there, with my friends seated and laying a selection of cards on the chosen cloth, did cause some puzzlement and curiosity. Passing staff had a look, one or two thought we were playing a board game. An increasingly common occurrence in pubs across Britain.

The evening also enabled those present to discuss HTW business face to face, rather than by email. Items on the agenda included our plans for the Summer Solstice but one item of relevance (because of the approaching date), was our attendance of the Castleton Garland Ceremony.


Castleton is an attractive stone built village nestled in the Hope Valley, dominated and perhaps under the shadow of Mam Tor (Mother Hill) and the castle rock ruins of Peveril Castle. The village lies between Buxton and Sheffield, north of Bakewell. The village is famous not only for the castle, the great Mother Hill and the fine walking country. The hills are home of that rare and wonderful fluorspar known as Blue John, its mines and that huge cavern, the Devil’s Arse (Peak Cavern).


I will not bore the reader with recapping further on the wonders of the Peak or the history of the Garland Ceremony itself. Rather I suggest a look at a previous report written after one of my earlier visits (link below).

A Grand Day Out Castleton and the Garland Ceremony:


Our decision was that car-sharing, we would make our way to Castleton on the afternoon of Bank Holiday Monday, the 29th of May and meet others at a designated point in Castleton. The journey however, proved to be surprisingly eventful. The four of us heading north expected rain, the weather was quite bad but meeting hail near Matlock was not at all expected. Trying to avoid the expected traffic we cut off for the Buxton road and drove through the most amazing low cloud, shrouding the Peaks for several miles this added an air of mystery to the journey.


Heading for Castleton on the north road we approached the famous Winnats Pass, a winding, narrow road with visibility measured in car lengths. To our left and right the land dropped away steeply, yet the valleys remained hidden by thick mist. Entering the pass itself with its steep cliffs and sharp turns, the general excitement was increased as we skidded on the wet surface of the road while taking an unexpected bend. Only the skill and quick reactions of our driver, the Defender of the Hearth, kept us on the road.


Our designated meeting point was the primary carpark next to the visitor centre, lying just outside of the old town defences. There after our usual greetings and a general gathering of thoughts, the six of us set off to view the village. It was late afternoon and the shops would soon be closing. The two early arrivals had already had time to explore but this was an occasion for us late arrivals. We also took the opportunity to purchase from a passing vendor, the necessary oak sprigs. These are worn to show a traditional loyalty to the crown and the money raised goes to charity.



Some of the shops have the most magnificent displays of Blue John, these include private collections displayed to delight the tourist and of course, to advertise the outstanding skill of the local artisans. The collections include a selection of priceless objects and enable the viewer to appreciate the remarkable colour range of this fluorspar, which is unique to the region.





It was unfortunate that the visitor centre was closed for renovation, so we did not get to see the ancient stone head, believed to be a carving of the Goddess Brigantia. This most venerable Goddess, is the nomenclature behind that of the Celtic tribe that dominated the majority of this island in Roman times and it is said, gave their own name to the island of Briton.



Across the road from the visitor centre was the garage where the making of the King’s Garland and the Queen’s Posey was based. So naturally we called to see the now finished objects on display. The Garland today is created using a permanent and therefore reusable metal frame, with a leather harness fitted beneath. In ancient days it was a wicker structure that was made fresh each year.



The garage itself was a miniature motor museum, we spotted some half dozen vintage models, in various stages of repair, partially hidden under tarpaulins. Unfortunately we could not get a closer look but what was visible to us, intrigued and added to our enjoyment of the day.




Finding that we had at least an hour before the main parade began, we headed for the Bull’s Head to eat. Our choice of hostelry based primarily on the bronze stags displayed in the window. They tempted me in. We took a table by the window, ordered drinks and I was able to review an already enjoyable day. Two members of the Inner Court, three members of the Outer and one Friend of the Hearth of the Turning Wheel had made the trip. A very positive attendance and the main event had yet to begin.




From the window we were able to observe the riders and the band approach, post the dressing of the Garland, as they made their way from the garage to the host pub on the other side of the village. Finishing our drinks we made our way out to join the assembled crowd, eventually catching up with the parade via an unplanned detour into a traditional sweet shop. I bought fudge and Kendal Mint Cake.










The next hour was spent following the slow progression from pub to pub and watching the charming dances performed by the local school children, accompanied by the local brass band playing the traditional Floral Dance tune. I observed that this year boys were permitted to join the dancing, an activity usually regarded a female only preserve.










As time was ever creeping on, we had to say goodbye as two of number chose to depart. The journey across the Pennines in the mist was best avoided in darkness. Those of us that remained set off to view the church in preparation of the arrival of the Garland. In this late Norman church, that is dedicated perhaps significantly to the Saxon Saint Edmund, are several points of interest. These include a Norman Arch, a rare fragment of 14th century stained glass depicting an angel and a collection of unusual Bibles. This collection includes a ‘Vinegar Bible’ of 1717 and a ‘Breeches Bible’ of 1579. The box pews although late are of interest, as many are carved with the names of local families. Indeed the gravestones outside bear witness to these same local families, including that famous name Eyre.












Gathering outside we awaited the arrival of the ‘Royal Couple,’ King and Consort. Stopping at the entrance to the churchyard, the King paused for the removal of the Queen’s Posey, before riding alone up to the church tower. Here a rope was lowered from the tower and the King’s Garland was hoisted off the shoulders of the rider, to the delight of the crowd and amongst much cheering.







The pinnacles of the church are decorated with the ubiquitous oak, save one central. Once hoisted up the tower by strong men of the village, no machinery is used, the King’s Garland is mounted upon that bare pinnacle. This is very much the highlight of the event, although not the end of it and at least one member of our companie was moved by this sight.










Leaving the church behind us, we set off to find the hidden valley. Truly a surprise for anyone who have not visited this village before, accessed through a cleft in the cliffs and an incline, a delightful panorama opens. Cave Dale is a deep valley of cliffs, dominated once again by the castle on one side. The sheer cliff face serves to illustrate the remarkably strong strategic position, reminiscent of Nottingham’s own Castle Rock.







Stretching away into the distance, Cave Dale proper eventually opens out onto farmland and a pleasant if challenging walk to Tideswell. Three of us decided to attempt a climb up one side of the dale, hoping to reach a hallway point marked by a pinnacle. We did not make it all the way, all choosing to turn back due at the three quarter mark, due to the severe wet that was making the climb somewhat treacherous. Although the adventure was not in any way sensible, it was rather a lot of fun.





Returning to the village, itself a treacherous descent on wet rock, we were in time to watch some of the wonderful Maypole dancing. Again performed by the charming local children, the dances are complex, intricate and delightful. Links to my own video clips of the dances are below.

Castleton Garland Day Maypole Dancing 2017






The mist caused by the low cloud was returning, not that it had ever truly lifted and we judged this a good time to make our plans to leave. So leaving the crowds at the war memorial where the Queen’s Posy was being laid, we had one drink at the George before heading for the car. To paraphrase Falstaff, we decided that discretion was the better part of valour and chose not to leave via Winnats Pass. Rather we took the safer route, through the Hope Valley and headed for Sheffield in search of the Chesterfield road.




So ended another of our exciting Hearth trips, incorporating as they often do, history, symbolism, humour and adventure. There are obviously social elements to such trips, a valued opportunity for us to enjoy the company of friends but there are other elements within. The Hearth of the Turning Wheel has a focus upon the locality, the land about us, its myths and its legends. Visits to sites and the observation of customs regional, enable us to reach out and touch our land, our history and manifest our identity.




Sunday, 28 May 2017

Quotation from the ‘Rhyme of the Ancient Mariner’ by Samuel Taylor Coleridge


The pang, the curse, with which they died,
Had never pass'd away:
I could not draw my eye from theirs,
Nor turn them up to pray.


And in its time the spell was snapt,
And I could move my eye:
I look'd far-forth, but little saw,
Of what might else be seen.


Like one, that on a lonely road,
Doth walk in fear and dread,    
And having once turn'd round, walks on,
And turns no more his head:    
Because he knows, a frightful fiend,
Doth close behind him tread.


I WEPT FOR HIM SEVEN DAYS AND NIGHTS


“I wept for him seven days and nights, till the worm fastened on him. Because of my brother I am afraid of death, because of my brother I stray through the wilderness and cannot rest.” 

Gilgamesh.


Monday, 22 May 2017

THE CRAFT OF CURSING: A review of a weekend conference in Boscastle, Cornwall UK in May 2017 by Carol Keith


Earlier this month I had the pleasure to attend an excellent two-day conference in Boscastle concerning the craft of cursing. Hosted by the Museum of Witchcraft and Magic, it linked to the museum’s new exhibition curated by Dr Louise Fenton, University of Wolverhampton. Dr Fenton has been researching cursing and cursing poppets since 2010. The museum itself hosts a wealth of cursing paraphernalia that includes many poppets collected by its founder, Cecil Williamson. The exhibition itself will continue until the end of the 2017 season, and the museum is well worth a visit at any time!


Cursing poppet in the Museum of Witchcraft and Magic. Boscastle, Cornwall.

The weekend saw a wide variety of speakers whose topics reached not only across time, but spanned the entire social spectrum and took us to places both near and far. Mogg Morgan was up first, speaking on Apophis and the Mother Of All Curses. He led us to Ancient Egypt where Apep the serpent of chaos dwells. Apparently Apep was a colossal demonic entity that inflicted all types of harm with its terrible ‘Biting Eye’.


Mogg Morgan at Boscastle, Cornwall. May 2017

It was enlightening to hear that the mechanics of Egyptian cursing magic remain with us today. They take the form of wax images, spitting, binding, enclosing, trampling, burning and sticking. Mogg asked the question: Could cursing magic have begun in Egypt? Specifically this might have been during the period in Egyptian history known as ‘The Bad Times’, a period of great despair occurring in the gap between the Old and Middle Kingdoms.


Ritual spitting when cursing Apep, the colossal serpent.

Of course we all realize that tales of an eternal struggle between man and harmful serpent occurred not only in Egypt as similar stories can be found in many regions and religions of the world, both past and present. England’s own Saint George is depicted fighting a great serpent (dragon), and it is interesting that the image we best associate with him curiously mirrors that of the Egyptian god Set overcoming the colossal serpent.


Set depicted fighting the colossal serpent, and St George fighting the dragon.

As medieval medicine has long been one of my ‘hobbies’ I was eager to hear Dr Alexander Cummins speak on Curse-craft and Humoural Theory in Early Modern England, and he did not disappoint. Humoural Theory is an ancient system of medicine thought to have its origins in either Egypt or Mesopotamia. It was used for diagnosis and prognosis in the Classical period and throughout the Middle Ages, and is still used today in Indian Ayurveda medicine. Dr Cummins explained how this same system was also employed in cursing magic. Known as Humours, four fluids are believed to affect the subtle workings of the body on a variety of levels for they control not only a person’s health, but the personality and temperament as well. In humoural theory they are known as Blood, Phlegm, Yellow Bile and Black Bile. The heart was thought to be the seat of the humours but it was believed that the (Christian) Devil was able to affect how the humours operated within the human body.


Dr. Alex Cummins. Boscastle, Cornwall. May 2017.

Although I had not previously considered this system of medicine for use in cursing, it was fascinating to hear about the manipulation of humours to negatively affect a victim’s emotional, psychological and physical health. For instance, if the magic worker’s intent for the victim is impending doom, anxiety or stupefaction, then the phlegmatic humour might be targeted. Utilizing, of course, the appropriate materia magica to attract, infuse and radiate the necessary influences.


Humoural Talismans. Image from Dr Cummins’ presentation.

During his talk on Cursing and Ill wishing: witchcraft, the illness of a King and the Death of a Prince, historian Jonathan Hughes suggested that certain humours contained within the land itself (hot/cold/dry/wet) might be disturbed when dug or ploughed into, thereby shift the natural balance of the area to affect such things as the wellbeing of those living nearby, atmosphere or even change in the political climate.

Jesse Hathaway Diaz’ talk on Cursing in Colonial Mexico definitely brought some spice to the session; as did Demetrius Lacroix speaking on The Art of Haitian Vodou Cursing.


Demetrius Lacroix. Boscastle, Cornwall. May 2017.

On Saturday Demetrius explained a system of magic where, as in ancient Egypt, the soul is believed to be made up of several different layers each of which can be targeted by a magical worker. Demetrius told us about Port au Prince, in Haiti, where thousands of curses can be seen nailed to trees. Not only that as everywhere can be found offerings of dolls, tobacco, liquor and chicken or goat meat. He went on to say the art of Ekspedisyon (to expedite) can cause zombification or death. The art of Dispatch (to send, dispatch) commands a spirit to help fulfil obligations or, for an annual fee, a spirit will help you with medicines and healing. On the other hand the soul of a dead person can be purchased to haunt your enemy’s dreams. Pelene (to trap) causes the victim to be stuck in some way, unable to advance or move forward in life. Crab shells are often used in this magic since crabs can only move sideways, not forwards. The kidneys, heads, lungs or stomachs of animals are often used in this kind of cursing magic to represent the victim. I will leave to your imagination the symbolism of binding such body parts with cords.


Jesse Hathaway Diaz. Boscastle, Cornwall. May 2017.

On Sunday Jesse spoke to us of how the religion of invading Conquistadores had merged with the ethnic magic and practices of Colonial Mexico. It produced an indigenous belief system ‘dressed’ in Catholic clothes. The Christian cross itself was incorporated as a magical symbol of power and the properties of Catholic saints were used for all kinds of magic, both good and ill. Fascinating to me was the idea of seizing the right-handed (good) power of a saint and funnelling it toward left-handed (bane) practices. Stolen communion bread – concealed in the mouth until well away from the church – could be used to curse an enemy. While wax figures of body parts - a hand, a foot or heart, etc. – that were typically placed at shrines for help in healing, could be stolen away by the magical practitioner and used for sending harm to an enemy instead.


Examples of Christian magic in the Museum of Witchcraft and Magic. Boscastle, Cornwall.


Wax votive heart in the Museum of Witchcraft and Magic. Boscastle, Cornwall.

Traditionally, prayers were offered to statues of saints for help in healing and daily life. St Anthony is the saint to turn in order to find love and marriage. Gifts, candles and petitions are offered to a ‘’right-handed saints’’ to have them work their benefic magic on the petitioner’s behalf. However using them as ‘’left-handed saints’’ is an entirely different thing. To entrap or force a person into love or sex the statue of St Anthony might be turned upside down and its head replaced with a lemon, only to be returned if the saint complied with the petitioner’s demands. But the most surprising information for me about this tradition was to hear that, once a year at Eastertime, there is literally no god between 3pm on Good Friday and sunrise on Easter morning. It makes sense, of course!


Saints can be used as ‘’right-handed’’ or ‘’left-handed’’ depending on purpose.

As you might guess, it has been difficult for me to write about only a handful of the fifteen excellent speakers that were present at this conference. Each one of them offered something very special and thought provoking to the whole. I find myself wishing it had been recorded so that I could listen to them all speak again! The museum staff put on some fine conferences. Rumour has it that the subject for next year will be Ritual Magic. In the meantime, should you wish to see the full line up of speakers and their topics for this particular weekend, you may find that information here , while the museum’s blog account of the conference may be found here. See you in Boscastle!

Text ©Carol Keith 2017.
Photography ©Chattering Magpie 2008 and ©Carol Keith 2017



Thursday, 18 May 2017

Sūrat al-Kāfirūn the 109th Surah of the Qur'an


Say: “Oh, you who disbelieve! I do not worship that which you worship, nor do you worship that which I worship. Nor will I worship that which you have been worshipping, neither will you worship that which I worship. To you your religion and to me mine.”


Sūrat al-Kāfirūn (The Unbelievers) the 109th Surah of the Qur'an