Sunday, 9 April 2017

Lenore by Gottfried August Burger (1747-1794)



Up rose Lenore as the red morn wore,
From weary visions starting;
"Art faithless, William, or, William, art dead?
'Tis long since thy departing."
For he, with Frederick's men of might,
In fair Prague waged the uncertain fight;
Nor once had he writ in the hurry of war.
And sad was the true heart that sickened afar.


The Empress and the King,
With ceaseless quarrel tired,
At length relaxed the stubborn hate
Which rivalry inspired:
And the martial throng, with laugh and song,
Spoke of their homes as they rode along.
And clank, clank, clank! Came every rank.
With the trumpet-sound that rose and sank.


And here and there and everywhere,
Along the swarming ways,
Went old man and boy, with the music of joy,
On the gallant bands to gaze;
And the young child shouted to spy the vaward,
And trembling and blushing the bride pressed forward:
But ah! For the sweet lips of Lenore
The kiss and the greeting are vanished and o'er.


From man to man all wildly she ran
With a swift and searching eye;
But she felt alone in the mighty mass,
As it crushed and crowded by:
On hurried the troop,—a gladsome group,—
And proudly the tall plumes wave and droop:
She tore her hair and she turned her round,
And madly she dashed her against the ground.


Her mother clasped her tenderly
With soothing words and mild:
"My child, may God look down on thee,—
God comfort thee, my child."
"Oh! Mother, mother! Gone is gone!
I reck no more how the world runs on:
What pity to me does God impart?
Woe, woe, woe! for my heavy heart! "


"Help, Heaven, help and favour her!
Child, utter an Ave Marie!
Wise and great are the doings of God;
He loves and pities thee."
"Out, mother, out, on the empty lie!
Doth he heed my despair,—doth he list to my cry?
What boots it now to hope or to pray?
The night is come,—there is no more day."


"Help, Heaven, help! Who knows the Father
Knows surely that he loves his child:
The bread and the wine from the hand divine
Shall make thy tempered grief less wild."
"Oh! Mother, dear mother! The wine and the bread
Will not soften the anguish that bows down my head;
For bread and for wine it will yet be as late
That his cold corpse creeps from the grim grave's gate."


"What if the traitor's false faith failed,
By sweet temptation tried,—
What if in distant Hungary
He clasp another bride?—
Despise the fickle fool, my girl,
Who hath ta'en the pebble and spurned the pearl:
While soul and body shall hold together
In his perjured heart shall be stormy weather."


"Oh! Mother, mother! Gone is gone,
And lost will still be lost!
Death, death is the goal of my weary soul,
Crushed and broken and crost.
Spark of my life! Down, down to the tomb:
Die away in the night, die away in the gloom!
What pity to me does God impart?
Woe, woe, woe! For my heavy heart!"


"Help, Heaven, help, and heed her not,
For her sorrows are strong within;
She knows not the words that her tongue repeats,—
Oh! Count them not for sin!
Cease, cease, my child, thy wretchedness,
And think on the promised happiness;
So shall thy mind's calm ecstasy
Be a hope and a home and a bridegroom to thee."


"My mother, what is happiness?
My mother, what is Hell?
With William is my happiness,—
Without him is my Hell!
Spark of my life! Down, down to the tomb:
Die away in the night, die away in the gloom!
Earth and Heaven, and Heaven and earth.
Reft of William are nothing worth."


Thus grief racked and tore the breast of Lenore,
And was busy at her brain;
Thus rose her cry to the Power on high,
To question and arraign:
Wringing her hands and beating her breast,—
Tossing and rocking without any rest;—
Till from her light veil the moon shone thro',
And the stars leapt out on the darkling blue.


But hark to the clatter and the pat pat patter!
Of a horse's heavy hoof!
How the steel clanks and rings as the rider springs!
How the echo shouts aloof!
While slightly and lightly the gentle bell
Tingles and jingles softly and well;
And low and clear through the door plank thin
Comes the voice without to the ear within:


"Holla! holla! Unlock the gate;
Art waking, my bride, or sleeping?
Is thy heart still free and still faithful to me?
Art laughing, my bride, or weeping?"
"Oh! Wearily, William, I've waited for you,—
Woefully watching the long day thro',—
With a great sorrow sorrowing
For the cruelty of your tarrying."


"Till the dead midnight we saddled not,—
I have journeyed far and fast—
And hither I come to carry thee back
Ere the darkness shall be past."
"Ah! Rest thee within till the night's more calm;
Smooth shall thy couch be, and soft, and warm:
Hark to the winds, how they whistle and rush
Thro' the twisted twine of the hawthorn-bush."


"Thro' the hawthorn-bush let whistle and rush,—
Let whistle, child, let whistle!
Mark the flash fierce and high of my steed's bright eye,
And his proud crest's eager bristle.
Up, up and away! I must not stay:
Mount swiftly behind me! up, up and away!
An hundred miles must be ridden and sped
Ere we may lie down in the bridal-bed."


"What! Ride an hundred miles to-night,
By thy mad fancies driven!
Dost hear the bell with its sullen swell.
As it rumbles out eleven?"
"Look forth! Look forth! The moon shines bright:
We and the dead gallop fast thro' the night.
'Tis for a wager I bear thee away
To the nuptial couch ere break of day."


"Ah! Where is the chamber, William dear,
And William, where is the bed?"
"Far, far from here: still, narrow, and cool;
Plank and bottom and lid."
"Hast room for me?"—"For me and thee;
Up, up to the saddle right speedily!
The wedding-guests are gathered and met,
And the door of the chamber is open set."




She busked her well, and into the selle
She sprang with nimble haste,—
And gently smiling, with a sweet beguiling,
Her white hands clasped his waist:—
And hurry, hurry! Ring, ring, ring!
To and fro they sway and swing;
Snorting and snuffing they skim the ground,
And the sparks spurt up, and the stones run round.


Here to the right and there to the left
Flew fields of corn and clover,
And the bridges flashed by to the dazzled eye,
As rattling they thundered over.
"What ails my love? The moon shines bright:
Bravely the dead men ride through the night.
Is my love afraid of the quiet dead?"
"Ah! No; — let them sleep in their dusty bed!"


On the breeze cool and soft what tune floats aloft,
While the crows wheel overhead?—
Ding dong! Ding dong! ’Tis the sound, ’tis the song,—
"Room, room for the passing dead!"
Slowly the funeral-train drew near.
Bearing the coffin, bearing the bier;
And the chime of their chaunt was hissing and harsh,
Like the note of the bull-frog within the marsh.


"You bury your corpse at the dark midnight,
With hymns and bells and wailing;—
But I bring home my youthful wife
To a bride-feast's rich regaling.
Come, chorister, come with thy choral throng,
And solemnly sing me a marriage-song;
Come, friar, come,—let the blessing be spoken,
That the bride and the bridegroom's sweet rest be unbroken."


Died the dirge and vanished the bier:—
Obedient to his call,
Hard hard behind, with a rush like the wind,
Came the long steps' pattering fall:
And ever further! Ring, ring, ring!
To and fro they sway and swing;
Snorting and snuffing they skim the ground,
And the sparks spurt up, and the stones run round.


How flew to the right, how flew to the left,
Trees, mountains in the race!
How to the left, and the right and the left,
Flew town and market-place!
"What ails my love? The moon shines bright:
Bravely the dead men ride thro' the night.
Is my love afraid of the quiet dead?"
"Ah! Let them alone in their dusty bed!"


See, see, see! By the gallows-tree,
As they dance on the wheel's broad hoop,
Up and down, in the gleam of the moon
Half lost, an airy group:—
"Ho! ho! Mad mob, come hither amain,
And join in the wake of my rushing train;—
Come, dance me a dance, ye dancers thin.
Ere the planks of the marriage-bed close us in."


And hush, hush, hush! The dreamy rout
Came close with a ghastly bustle,
Like the whirlwind in the hazel-bush,
When it makes the dry leaves rustle:
And faster, faster! Ring, ring, ring!
To and fro they sway and swing;
Snorting and snuffing they skim the ground,
And the sparks spurt up, and the stones run round.


How flew the moon high overhead,
In the wild race madly driven!
In and out, how the stars danced about.
And reeled o'er the flashing heaven!
"What ails my love? The moon shines bright:
Bravely the dead men ride thro' the night.
Is my love afraid of the quiet dead?"
"Alas! let them sleep in their dusty bed."


"Horse, horse! meseems 'tis the cock's shrill note,
And the sand is well-nigh spent;
Horse, horse, away! 'Tis the break of day,—
'Tis the morning air's sweet scent.
Finished, finished is our ride:
Room, room for the bridegroom and the bride!
At last, at last, we have reached the spot,
For the speed of the dead man has slackened not!"


And swiftly up to an iron gate
With reins relaxed they went;
At the rider's touch the bolts flew back,
And the bars were broken and bent;
The doors were burst with a deafening knell,
And over the white graves they dashed pell mell;
The tombs around looked grassy and grim,
As they glimmered and glanced in the moonlight dim.


But see! But see! In an eyelid's beat,
Towhoo! A ghastly wonder!
The horseman's jerkin, piece by piece,
Dropped off like brittle tinder!
Fleshless and hairless, a naked skull,
The sight of his weird head was horrible;
The lifelike mask was there no more,
And a scythe and a sandglass the skeleton bore.


Loud snorted the horse as he plunged and reared,
And the sparks were scattered round:—
What man shall say if he vanished away,
Or sank in the gaping ground?
Groans from the earth and shrieks in the air!
Howling and wailing everywhere!
Half dead, half living, the soul of Lenore
Fought as it never had fought before.


The churchyard troop,—a ghostly group,—
Close round the dying girl;
Out and in they hurry and spin
Through the dance's weary whirl:
"Patience, patience, when the heart is breaking;
With thy God there is no question-making:
Of thy body thou art quit and free:
Heaven keep thy soul eternally!"


Translated from the German by Dante Gabriel Rossetti


https://en.wikisource.org/wiki/Lenore_(Rossetti)




Friday, 31 March 2017

Speech of King Richard II (William Shakespeare)


No matter where; of comfort no man speak:
Let's talk of graves, of worms, and epitaphs;
Make dust our paper and with rainy eyes
Write sorrow on the bosom of the earth,
Let's choose executors and talk of wills:
And yet not so, for what can we bequeath
Save our deposed bodies to the ground?


Our lands, our lives and all are Bolingbroke's,
And nothing can we call our own but death
And that small model of the barren earth
Which serves as paste and cover to our bones.


For God's sake, let us sit upon the ground
And tell sad stories of the death of kings;
How some have been deposed; some slain in war,
Some haunted by the ghosts they have deposed;
Some poison'd by their wives: some sleeping kill'd;
All murder'd: for within the hollow crown
That rounds the mortal temples of a king
Keeps Death his court.


And there the antic sits,
Scoffing his state and grinning at his pomp,
Allowing him a breath, a little scene,
To monarchize, be fear'd and kill with looks,
Infusing him with self and vain conceit,
As if this flesh which walls about our life,
Were brass impregnable, and humour'd thus
Comes at the last and with a little pin
Bores through his castle wall, and farewell king!


Cover your heads and mock not flesh and blood
With solemn reverence: throw away respect,
Tradition, form and ceremonious duty,
For you have but mistook me all this while:
I live with bread like you, feel want,
Taste grief, need friends: subjected thus,
How can you say to me, I am a king?



Wednesday, 29 March 2017

Grand Opening of the Robin Hood Legacy (Bank Holiday Monday the 29th of August 2016 Nottingham)

 

On a bright, warm summer day and a Bank Holiday at that, I paid a visit to Nottingham to attend the Official or Grand Opening of the Robin Hood Legacy. My attendance was arranged as a personal invitation of the manager, resident Robin and local author (Amazon link below), Adam Greenwood.

The Robin Hood Legacy had opened some weeks before but the official opening was arranged to coincide with the Summer Holidays and the diary of a VIP guest. In actual fact, the opening was to be attended by more than one VIP.


The Robin Hood Legacy is situated in a smart Georgian three storey building on Friar Gate in Nottingham, placed perfectly at the Castle end of that street. The entrance to Nottingham Castle Museum and Art Gallery is clearly visible from the Legacy, the famous Robin Hood statue is just around the corner. The Legacy is therefore ideally situated to complement these established tourist attractions and offer even greater choice for the visiting tourist.

The Legacy consists of a series of rooms that form a cohesive presentation of one variant of the Robin Hood legend. In each room there are costumed mannequins depicting relevant scenes and one mannequin in each room talks. This is achieved by having a hidden projector directed onto the face, this gives the appearance of movement and expression, whilst synchronised to the audio track.

I arrived promptly to have my usual look around and to meet the other guests. I was very pleased to see that so many local enthusiasts and local actors had agreed to attend. These supporters were all in costume and truly added to the general festive atmosphere. Never before had I seen so many ‘Robin Hoods’ gathered together in one place and this coined a new collective noun. It was decided that in future we shall refer to such a gathering as a quiver of Robin Hoods. Amongst those gathered was something of a VIP, the noted Robin Hood authority, historian, well known actor, stuntman, public speaker and combat instructor, the ever pleasing Tony Rotherham. Today he was accompanied by his new Marianne, Miss Grace Eden.

I am fortunate in having some peripheral involvement with the Robin Hood Legacy, this based upon my own esoteric interest in the legends. I am the author of papers on the subject, now collected together to form a monograph; ‘The Pagan Symbolism of the Sherwood Legends.’ The monograph is available direct (a link to my Etsy page is below) and is on sale in the shop of the Legacy itself. The cover photograph of the Legacy edition features Adam Greenwood in his guise as Robin. Marry, I am pleased to say that the Legacy uses several examples of my photography in the publicity material and as assorted souvenirs, such as postcards and fridge magnets.



A press photographer from the local paper arrived to take a few stills and to talk to those attending. Unfortunately he was unable to stay for the arrival of the VIP guest and I was asked to take over as official photographer for the afternoon. I was pleased to step into the breach so to speak.



Later that afternoon our main VIP guest arrived, Councillor Jackie Morris the serving Sheriff of Nottingham, ably supported by her husband the Reverend Andrew Morris. Dressed in black and gold the serving Sheriff met Simon McCrackle, he playing the wicked Sheriff of Nottingham, was also dressed in the black and gold. The photo-opportunities of having the two pose together were simply too good to miss.



We were able to take full advantage of the beautiful weather, even if the light was a little strong for photography. Gathering all the costumed attendees with both our VIP’s and the owner of the Robin Hood Legacy, David Ward.

David has been something of a fan of Robin Hood and the associated legends since he was a child. His creation of the Robin Hood Legacy is a dream come true, a replacement perhaps of the Tales of Robin Hood, whose closure is still mourned by many. For David, the opening of the Legacy is the pinnacle of his hopes, representing his desired wish to see once more, Robin Hood at the centre of Nottingham.



Since this was the Robin Hood Legacy and the period of the tour is set at some ill-defined point in the Medieval Ages, it was natural that Councillor Morris should cut the ribbon with something rather more befitting than a modern pair of scissors. Adam Greenwood in his guise of Robin Hood graciously lent the Sheriff of Nottingham his own dagger, a rather large and very bright-bladed medieval replica.




We then as a group joined David inside the Legacy for a glass of wine and sustenance, before Councillor Morris was given her own private tour of the visitor attraction. We then set off as a group to the Robin Hood statue for more publicity stills, taking full advantage of the light.




Around the statue the quiver of Robin Hoods, the two Sheriffs and at least two Mariannes (we have yet to find a collective noun for multiple Maid Marions) posed with several members of the public before we set off once more towards the Legacy. On our way back Councillor Morris decided to call at the Nottingham Society of Artists, a small art gallery directly opposite the Legacy itself. I followed with my camera.




Councillor Morris fully understands her role as the Sheriff of Nottingham and knows precisely, how to play the game. Highly professional and extraordinarily easy to get along with, I warmed to her very quickly and I thoroughly enjoyed her company. The Sheriff is fully aware that the position of Sheriff itself, adds enormous prestige to any event, business or activity by either physical presence or patronage.







On entering the gallery, Councillor Morris continued to present herself with impeccable style, talking to the gallery owner, viewing exhibits and posing once more for photographs. At the time of the Grand Opening, the Nottingham Castle Museum and Art Gallery were host to ten sketches from the Royal Collection. To compliment this major exhibition, the gallery was hosting several events with Leonardo da Vinci as a theme. Included in the exhibition was a sketch of Saint Anne and this sketch was a major feature of the gallery events. On the day we visited a model was sitting as Saint Anne and many contemporary sketches adorned the walls.








Returning to the Legacy it was time to say goodbye to Councillor and Reverend Morris, after what had without doubt, been a very enjoyable afternoon. Stepping indoors I met up with Tony Rotherham and Grace Eden to take a walk around the attraction. This gave me the opportunity to see a major attraction upstairs, that few at that time knew had joined the Legacy. In one of the larger rooms, on display amongst the mannequins is the costume of Herne the Hunter himself.




This costume is not a replica but the actual true costume used in the TV series Robin of Sherwood, which ran from 1982 to 1984 on ITV. The Herne the Hunter costume remains the property of Goldcrest Films and is graciously on loan to the Robin Hood Legacy. The prop is of great significance and holds an important place within the history of British television. Today, Robin of Sherwood remains a fondly remembered programme and has spawned numerous fan clubs throughout the world.






Although the afternoon was drawing on, the weather was still excellent, so Tony Rotherham and Grace Eden decided to take a ‘PR’ walk through Nottingham. Dr Rotherham like Councillor Morris, knows how to play the ‘game.’ Our first port of call was the Robin Hood statue and joined by the Wicked Sheriff of Nottingham, they posed for pictures with the tourists.



Retracing our steps we decided to end our tour with a visit to the market place and here, between Larry and Rodney (the marketplace lions), Tony and Grace delighted tourists once more and then our most famous outlaw, was ‘arrested’ by five police constables. It was noted that he did not resist arrest.




So ended a fine day, delightful in its company and the activities. Details of the opening hours of the Robin Hood Legacy and the admission prices can be found below. The Legacy itself continues to grow and the manager Mr Greenwood, is together with those other actors playing the part of the famous outlaw, contributing in maintaining Robin Hood’s place at the centre of the consciousness of the Nottingham people and further afield.



RELEVANT WEB-LINKS

The works of Adam Greenwood

Chattering Magpie (Etsy)

Leonardo da Vinci Exhibition Nottingham 2016

The Nottingham Society of Artists (webpage)

The Nottingham Society of Artists (Facebook)

Robin Hood Legacy (Facebook)

Robin Hood Legacy (webpage)

Robin Hood: the man the myth by Tony Rotherham Nottingham Empyrean 1st October 2014

The Summer Solstice