It would be true to say that I have left my own Wiccan Roots behind and yes; there is a pun in that comment. Although Gardnerian Witchcraft influenced Paganism is where I began my journey and although I have changed to reach a point some twenty five years later, where the ‘Wiccanesque’ influence is very much reduced. It is where I began and it would be foolish to deny that a residual element remains within me. It would be equally foolish to ignore the fact that I and many others who are not Wiccan, have benefited enormously from the public acceptance that has resulted from members of the Gardnerian and Alexandrian Traditions going public.
So it was that on Sunday the 6th
of April 2014, I travelled in to Nottingham to attend and to support an event
of significance to the Pagan Community at large. A Day for Patricia Crowther
was jointly organised by the Centre for Pagan Studies and the Doreen Valiente
Foundation. The event was held to honour Patricia Crowther and to mark her
remarkable contribution to the continued acceptance of alternative
spiritualities. Mrs Crowther is a third degree Gardnerian High Priestess and as
one of the last contemporaries of Old Gerald, an important link to that heady
time when Wicca and by implication Paganism, stepped out of the shadows.
The day consisted primarily of four segmented talks. These included presentations by Vivianne & Chris Crowley, Rufus & Melissa Harrington, Philip Heselton and John Harper. These talks covered the history of Gardnerian Witchcraft, its contemporary influence, Mrs Crowthers’ own contribution and in the case of Mr Harper, a talk on magic and astronomy that was very well received by an appreciative Nottinghamshire audience.
The day also included a question and answer session with
four experts or Craft Elders up on the stage, there to field questions from the
massed audience. This section of the itinerary was led by John Belham-Payne,
trustee and founder of the Centre for Pagan Studies. The panel acquitted
themselves well presenting a highly professional image of Wicca, which was of a
deeper and more spiritually meaningful variety than the pop-wicca presented to
the public usually.
Unfortunately perhaps, not being Wiccan myself some of these
experts were and remain, unknown to me. Their fame perhaps not extending far
outside of the close knit community that is initiated Gardnerian Wicca or
perhaps London. What is important however is that they presented a true and
accurate image of that specific Craft Tradition. In the words of another, they
were on the day true ambassadors for Wicca and highlighted the difference
between Wicca proper and the wicca of the popular press and reality TV show.
The day was interspersed with short breaks and a longer
lunch break. This allowed time for socialising with friends, making new friends
and browsing the many quality stalls in the hall. I was surprised and indeed
rather disconcerted, to find myself recognised by a few complete strangers. It
is difficult to appreciate as a writer how many do read ones’ work, either in
print or via this BLOG.
This unknown readership included on the day, a charming
American gentleman called Al. This gentleman had with his endearing young son,
travelled over especially for the event, making it part of a longer holiday. We
enjoyed a brief chat in which he told me of his involvement with Mrs Crowther
and a Youtube project based upon one of her books. He also rather astutely
spotted an item of craft jewellery I was wearing, explaining that he knew the
American silversmith that had made my specially commissioned piece.
TVEIR HRAFNAR: MAGICKAL TALISMANS CRAFTED BY HAND IN STERLING SILVER http://tveirhrafnar.com/blog/
In another room was a small exhibition of early Wiccan artefacts from the Doreen Valiente collection. This included what is by modern standards, a rather garish wand that once belonged to Gerald Gardner and a magnificent Book of Shadows written in his own hand. One item of particular note, shown to me by my friend Ashley Mortimer a Trustee of the Doreen Valiente Foundation, was a clay plate of an unknown age and provenance. The main upper part of which is completely plain, the underside however is clearly designed for use a pentacle. Truly it would be a secret hidden in plain sight, when placed unobtrusively in a cupboard.
The final part of the day was the
appearance of the lady herself on stage, to answer questions, to entertain and
to sing a spirited rendition of a Pagan version of Lord of the Dance. Mrs
Crowther then drew the tombola or as she insisted it be called, the raffle. Mrs
Crowther presented each and every winner of the raffle with their prize which
she chose, before patiently signing autographs.
Ashley Mortimer, Patricia Croather and John Belham-Payne
In my opinion this event is likely
to be remembered as one of the most important to take place in the East
Midlands for a number of years. Furthermore, the Centre for Pagan Studies
should be congratulated not only for their professionalism but for having the
courage to hold an event of such import to the Pagan Community in Nottingham.
As has been proved by other towns and cities such as; Derby (the Witan 2011),
Glastonbury (The Hecate Symposium and the Occult Conference), Ludlow (the
Occult Conference), Boscastle (various events associated with the Museum of
Witchcraft) and Leeds (the Day of Mysteries and Magic), not every culturally
significant event of import takes place in the English capital or indeed needs
to.
Ashley Mortimer and the Chattering Magpie
Picture © J. Burton 2014
Some will no doubt overlook the
significance of this event, noting that Patricia Crowther as a High Priestess
of the Gardnerian Tradition, may not be an immediate source of inspiration for
those outside of the more ‘wiccanesque’ influenced Pagan paths. This is a valid
observation but does rather neglect the enormous contribution made by people
such as Gerald Gardner, Doreen Valiente, Patricia Crowther, Alex Sanders and
others to the growth and general acceptance of Paganism within Britain.
Both the Gardnerian and
Alexandrian Witchcraft Traditions, what today we may commonly refer to as
Wicca, were following the repeal of the Witchcraft Act, of an enormous social
interest during the 1950’s and 1960’s. This was a time when Britain faced
continued internal sociological change after the Second World War and came to
terms with the inevitable loss of a World Empire.
This event was not simply about
Wicca and this event was not just for Wiccans. Far from it, this was a
celebration of the life and contribution of Patricia Crowther and her
generation to the Pagan Community at large.
A DAY FOR PATRICIA CROWTHER took place on Sunday 6th
April 2014 Nottingham. The event was organised by the Centre for Pagan Studies
and the Doreen Valiente Foundation and was held to honour the life and work of
Mrs Crowther.
Details of the Centre for Pagan
Studies and their work can be found here: http://centre-for-pagan-studies.com/
All images © D.B. Griffith 2014 unless otherwise stated.
Images may not be reproduced without permission of the
photographer or that of the CfPS and the DVF.
My own tombola or raffle prize
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