Wednesday, 27 June 2018
The Darling Crew at Treadwell’s Bookshop (London) 27th November 2017
It was one of my rare London visits, although in 2017 I had
already made trips more frequent than is my usual want. This journey
specifically to attend a performance of a musical duo from Stratford. I am in
truth a provincial, I am far from being at home in London. It is too busy, too
crowded and too noisy. I am not so much a country bumpkin but nor am I a
townie. I like to visit London but the city does not suit my temperament. So my
making the effort to journey south to attend a musical soirée is not a small
thing. It is time consuming and by train, expensive.
The Darling Crew are a musical duo, one male and one female.
The male guitarist is a handsome young man, the female vocalist has a striking
waiflike beauty about her. Presenting themselves in the basement of Treadwell’s,
one of London famous bookshops, they had a visual presence. Dressing in a
unique interpretation of an unspecified period costume, in lace, in gauze and in the case of
the vocalist, a basque. Both were masked, creating their own Gothic masque ball
The object of the evening was to launch their album (links
below), presenting and performing, samples from their repertoire acoustically.
This they were able to do in a competent, professional and stimulating manner. Their
songs have a certain mysterious quality, mixing Paganistic themes of a
traditional classical origin, with something quite contemporary and fresh
It is difficult for me to describe the music of the Darling
Crew, it does not fit easily into a pre-existing box. Should the music and the
vocalisations in particular, be described as haunting or ethereal? A difficult
question and one I find impossible to answer. My own musical tastes are varied,
preferring traditional, classical and folk today. I do not listen to contemporary
popular music and I am totally ignorant of modern celebrity culture.
The music of the Darling Crew is neither contemporary pop
nor traditional folk. Their music is in a style of their own making and that I think,
is the best review one can ever give. The music was enticing, skilled and varied.
The music perfectly complemented the mysterious, otherworldly and unearthly
vocals.
The performance in the acoustically challenging basement,
was entertaining and a delight. The Darling Crew competently took the opportunity
to exploit the intimate atmosphere, to present themselves are their work with remarkable
artistry. The performance was the highlight of my trip and remains a memorable
experience.
https://www.facebook.com/thedarlingcrew/
https://www.thedarlingcrew.co.uk/
Saturday, 16 June 2018
Guillaume de Machaut - Douce Dame Jolie (English translation)
Sweet,
lovely lady for god's sake do not think,
That
any has sovereignty over my heart but you alone.
For
always, without treachery,
Cherished
have I you and humbly;
All
the days of my life,
Served
without base thoughts.
Alas,
I am left begging for hope and relief;
For
my joy is at its end without your compassion.
Sweet
lovely lady but your sweet mastery,
Masters
my heart so harshly,
Tormenting
it and binding,
In
unbearable love.
My
heart desires nothing but to be in your power.
And
still, your own heart renders it no relief.
Sweet,
lovely lady.
And
since my malady,
Will
not be annulled.
Without
you, Sweet Enemy,
Who
takes delight of my torment.
With
clasped hands I beseech,
Your
heart, that forgets me,
That
it mercifully kill me,
For
too long have I languished.
https://www.youtube.com/watch?v=N2Pb_jpSyiE&index=6&list=RDGMEM8h-ASY4B42jYeBhBnqb3-wVMupQHrmgR15M
https://en.wikipedia.org/wiki/The_Lady_and_the_Unicorn
Tuesday, 5 June 2018
QUI OPTIMUS OCTO
From time to time I am asked
which books have influenced my path, my life and my perspective. This isn’t an
easy question to answer with absolute accuracy, things can change and time can
change how one perceives works. Newer publications or discovered works, may
replace those already listed.
With this in mind I offer the
best eight, a list that I compiled some years ago now. Offered with the proviso
that an updated list of fewer works is in preparation and I provide links to reviews
that I hope, may supplement this list for you the reader.
Pagan paths: a guide to Wicca, Druidry, Asatru,
Shamanism and other Pagan practices by Pete Jennings. Published in 2002 by
Rider.
This work is written by the
former president of the Pagan Federation and the current “High Gothi” of
Odinshof, it is non academic and easy to read sociological survey of the
primary Pagan paths and the Pagan community found within the UK. Each broad
path, Witchcraft, Druidry Heathenry and their respective sub-groups are
described, enabling the reader to gain an insight regarding beliefs and
practice.
Hedge Witch: a guide to solitary Witchcraft by Rae
Beth, published in 1990 by Robert Hale but available in the USA as “The Hedge
Witches’ Way.
With her first book Rae Beth
re-invented the solitary Craft in the UK and apparently founded a new
Tradition. This is a warm and well written exploration of the lone path from
the perspective of the kitchen witch. Written in the form of letters to
students, the basics of the Craft and the festivals are well covered. This is
not “hedge-riding” and in recent years’ the alternative term “Hedge-Wytchery”
has been used to distinguish the two paths, one modern and one perhaps more
traditional. This is a good solitary Craft book that makes a refreshing change
from Cunnigham, particularly here in the UK.
The Wheel of the Wiccan Year by Gail Duff. Published
by Rider (2002) and available in a second edition but retitled.
This is a good all round
exploration of the modern or contemporary eight festivals based upon the
familiar Gardnerian template. Each festival has background information,
development, prayers, chants and rituals This is a well written work useful for
planning celebratory group ritual.
Earth Dance: a year of Pagan rituals by Jan Brodie and
published in 1995 by Capall Bann.
A brief but well written
ritual book aimed at group and solitary practitioner alike. Each festival is
given a concise introduction, two rituals (one group and one solitary) and
supported with other useful information such as traditional recipes and
suggestions for incense.
Rites of Shadow by E.A St George. Originally published
in 1972 as “The Devil’s Prayer Book” and republished in 2000 by ignotus’corvus.
This book is an enigma, with
disputes over authorship and hidden away when the original publisher went
bankrupt. The first version of this book was written by Peter West but it was
so anti-craft that Karen West rewrote it. Sadly West/St George passed on soon
after her classic was republished.
This is a somewhat none
Gardnerian and independent interpretation of the Craft, quite traditional in
parts and not afraid of discussing the curse in a sane adult manner.
The Call of the Horned Piper by Nigel Aldcroft Jackson
and published in 1994 by Capall Bann.
This is very much an earthy
and Traditional approach to the Craft. This work has a refreshing emphasis on
the place of both Gods and Goddesses within the Traditional British Craft. As
opposed to the popularist Wicca or Gardnerian perspective that often over
emphasises the feminine aspect of diety.
The Witching Way of the Hollow Hill by Robin Artisson.
Published by Owlblink Bookcrafting Company (USA).
ISBN 978-1-4116-8193-4 also available in paperback
This book is a personal
examination of the theory and practice of the British Traditional
(non-Gardnerian) Craft. As such it combines elements of a book of shadows or more
correctly, grimoire, with explorations of the underling spirituality and magical
practice.
Subtitled “the gramaryre of
the folk who dwell below the mound and a sourcebook of hidden wisdom, folklore,
Traditional Paganism and Witchcraft” this work makes some quite ambitious
claims that are I think, generally fulfilled.
This is however a
controversial choice. Artisson’s name is not well regarded in some quarters due
to the deliberately confrontational stance he takes on the web. I have never
met him but I have witnessed this disappointing aspect of his behaviour.
Ultimately I am rather more interested in what he writes and what he writes here
is earthy, traditional and like nature, red in tooth and claw. Artisson is also
like me, a polytheist. I like this one but I add the caveat, that I have been less
impressed with at least one other of his later works.
Witchcraft a Tradition Renewed by Evan John Jones with
Doreen Valiente, published in 1990 by Robert Hale.
I have a lot of respect for
the late Valiente and although jointly credited this is really Jones work. When
published in 1990 this was a very fresh and alternative perspective compared
with the then current trends within the Pagan Craft movement. The background
beliefs and spirituality of the Craft are covered in some considerable depth,
with discussions of Craft tools and symbolism. The ritual elements of the work
focus on the Cross Quarter days with the lesser or Solar festivals put aside. This is quite possibly the most important theological and liturgical work on the
none-Gardnerian Traditional Craft to be published prior to Oates and Gary.
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